Canon PRO-200S vs PRO-310: Dye or Pigment for Your Photos?
The Canon PIXMA PRO-200S is the simpler starting point when you want a dedicated 13-inch photo printer for colourful prints. The imagePROGRAF PRO-310 is the more focused choice when pigment inks and a fine-art paper workflow are priorities. Paying more makes sense when those differences support the prints you actually make.
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Illustration of a photographic printing workspace; the equipment is generic.
Quick verdict
Choose the PRO-200S for a dye-ink photographic workflow without automatically paying for the higher tier. Choose the PRO-310 when you deliberately want its LUCIA PRO II pigment system, matte-black capability and Chroma Optimizer. Both offer borderless prints up to 13 by 19 inches. This verdict is based on Canon's documented specifications rather than a side-by-side print test.
At a glance
The width is shared; the printing system is not
Both printers sit in the 13-inch class. If the only reason you are considering an upgrade is to make a wider print, the PRO-310 does not solve that problem. A larger sheet still needs a wider printer or a lab service.
The PRO-200S uses eight individual dye inks. The PRO-310 uses nine pigment colours plus a separate Chroma Optimizer. Treat those as different printing systems, rather than ranking them by the number on the box. Ink count alone cannot establish which output you will prefer on your chosen paper.
Match the upgrade to the paper you enjoy
Canon describes the PRO-310's matte black as supporting deeper reproduction in dark areas on fine-art media. Its Chroma Optimizer addresses surface reflection on glossy and semi-gloss papers. Those are useful reasons to investigate the printer if surface finish is part of your decision, but they do not mean every paper needs that treatment.
Order a small selection of supported papers before committing to a large stock of one finish. Ask for sample output where a dealer offers it, and judge it under the light where your photographs will be displayed. A paper you enjoy holding and viewing matters more than winning a specification comparison.

Who should buy the PRO-200S
Buy the PRO-200S when a dedicated dye photo printer meets your needs and the complete purchase is easier to justify. It is a reasonable starting point for personal portfolios, framed family photographs and colourful creative work where you have not identified a specific need for the pigment model.
Skip it if you already know you want to build a pigment-based fine-art workflow. Buying one system while planning to replace it soon can cost more than choosing the required system first. Equally, do not reject it merely because another printer has a higher model number.
Who should pay for the PRO-310
Buy the PRO-310 when you can explain what the different ink system will do for the work you intend to produce. That may be a collection of matte photographs or a carefully profiled range of display papers. The upgrade has a purpose when paper, surface and repeatability are part of an established project.
Skip the higher tier if most photographs will remain on your phone or if a few occasional lab orders cover your needs. Neither printer removes the need for good files, appropriate colour management and sensible print handling. Hardware spending cannot correct every editing or viewing mismatch.
Compare the supplies before comparing the deal
Price the correct replacement ink family for each exact model, along with the paper you want to use. Include the cost of the complete system rather than comparing only one cartridge. Do not assume a similarly named older Canon printer uses interchangeable supplies.
Check the current driver for your operating system, the feed requirements of your selected media and the retailer's return conditions. Canon lists both printers as dedicated printing devices; choose a separate solution if scanning and copying are essential. Published manufacturer print-speed figures also do not predict every image, paper or quality setting.
Final choice
The PRO-200S is the better-value starting point when you want a 13-inch dye photo printer and have no defined reason to move beyond it. Choose the PRO-310 when the pigment system and paper-surface controls match a specific printing goal. Buy the workflow you need, rather than the more expensive name.
Sources and further reading
Related buying guide
If print width is still the main question, compare Epson's smaller and wider EcoTank Photo models.



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