š DJI 360 vs Insta360 X5: The Battle of 360° Cameras This Fall
- gear4greatness
- Sep 19, 2025
- 4 min read
Updated: Oct 27, 2025

š DJI 360 vs Insta360 X5: The Battle of 360° Cameras This Fall
Thereās something special about fall nights ā the air feels cooler, cleaner, and the light hits different. When the city starts glowing under that amber haze and the countryside skies turn ink-black with stars, thatās when I pull out the cameras. Iāve been obsessed with capturing nightscapes lately, and itās taught me patience, discipline, and a new kind of creative control.
I donāt see night shooting as technical ā I see it as emotional. Youāre literally working with darkness, trying to pull detail and warmth out of almost nothing. Itās just you, the camera, and that quiet hum of the world after sunset.
š· My Go-To Camera Settings for Night Shooting
When Iām shooting nightscapes, I rotate between my GoPro Hero 13, DJI Action 5 Pro, Insta360 X5, and DJI Pocket 3, depending on the shot.
With the GoPro Hero 13, Iāll switch to Night LapseĀ and set a 15ā20 second shutter for star trails. I usually cap the ISO at 800 or 1600 so the shadows stay clean. For city light shots, I drop the shutter to 1/60 ā it keeps that glow crisp without washing things out.
The DJI Action 5 ProĀ is my go-to for handheld night clips. Its wider aperture helps pull in light. Iāll hover between 1/30 and 1/60 shutterĀ with ISO around 400ā800. If thereās a bit of street lighting or reflective surfaces, those settings keep everything balanced.
The Insta360 X5Ā shines when Iām chasing that all-sky perspective. StarLapse modeĀ is built for astrophotography, but if Iām running manual, ISO 1600 with a 1/15 shutterĀ hits a sweet spot. For creative reframing later, I love the freedom of that 360 capture ā I can relive the moment from any angle.
And when I just want smooth, cinematic movement, I use the DJI Pocket 3. In Pro ModeĀ with ISO 400ā800 and a 1/50 shutter, it delivers incredibly stable footage, even when Iām walking. The built-in gimbal takes the stress out of low-light handheld work.
(Human line š Half the fun for me is seeing how far I can push these little cameras before they start to struggle ā itās like finding their character in the dark.)
š How I Keep Shots Steady at Night
Iāve learned the hard way that shaky footage looks ten times worse in low light. These days, I take stability seriously. I always bring a compact tripodĀ for longer exposures and a DJI Pocket 3Ā for walk-through shots. The Insta360 X5Ā paired with the invisible selfie stick gives that floating POV movement that still amazes me every time I see it in playback.
If Iām shooting handheld, I rely on āNinja Stepsā ā knees bent, heel-to-toe, smooth breathing. Itās funny how something that sounds so small completely changes the feel of a shot. That quiet physical focus becomes part of the art.
š My Must-Have Night Accessories
Iāve built my fall night kit over time. A UHS-II memory cardĀ is a must ā slow cards choke when youāre shooting high bitrate footage. Compact tripodsĀ save me every time Iām doing star trails or long exposure light passes. And extra batteries? Non-negotiable. Cooler fall air drains them quick, especially with the Action 5 Pro and Insta360 X5.
I also pack a small headlampĀ with a red light mode ā it lets me adjust settings in the dark without blowing out my night vision. I keep everything ready so I can focus on capturing the atmosphere instead of fumbling around.
š¬ My Editing Flow After the Shoot
Once Iām back at my desk, the real magic happens. I pull everything into FilmoraĀ and start with noise reductionĀ ā gently, so I donāt lose the texture of the shot. Then I lift shadows just enough to see hidden details, and I always warm the color temperature slightly. That subtle amber glow makes the footage feel like fall.
Iāll sometimes add motion blurĀ to my timelapses, especially for light trails ā it smooths out the harshness and makes it feel cinematic. The goal is to make the viewer feel the stillness and energy of night at the same time. Thatās the art of it.
(Human line š When Iām done, I always sit back, hit play, and let the music roll ā itās not just footage, itās a memory.)
This is how I film fall nightscapes ā gear tuned, batteries charged, mind calm. Every time I go out there, I learn something new about patience, exposure, and timing. The light fades fast, but when you capture it just right, it feels eternal. šāØ
š DJI 360 vs Insta360 X5: The Battle of 360° Cameras This Fall
š¦ Buy on Amazon USA
ā” Final Thoughts
Both cameras represent two different strategies:
DJI 360Ā is built for those who want seamless integrationĀ with drones, the Osmo Action series, and DJIās microphone ecosystem. Itās likely the better pick for hybrid creatorsĀ who want one ecosystem to rule them all.
Insta360 X5, on the other hand, is the professionalās 360° tool. With more frame rates, AI tools, and accessory depth, it gives serious creators everything they need to film anywhere, edit fast, and publish at a high level.
If you want the safest, most reliable bet for pro-grade 360° work, the X5 is still king. But if youāre already flying DJI drones or using their gear, the DJI 360 might just be the camera that ties your whole creative kit together.
Either way, 360° content is entering a new era ā and fall 2025 is just the beginning.



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