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Ultimate ND Filter Guide for Action Cameras (DJI Osmo Action Series)

  • Writer: gear4greatness
    gear4greatness
  • Apr 3, 2025
  • 4 min read

Updated: Nov 16, 2025


Ultimate ND Filter Guide for Action Cameras (DJI Osmo Action Series)

Ultimate ND Filter Guide for Action Cameras (DJI Osmo Action Series)


Every time I pack my DJI Osmo Action 3, 4, or 5 Pro into my bag, I always pause for a second before heading out — because I know the real magic doesn’t come from the camera alone. It comes from the tools that let you control light instead of fighting against it. And ND filters have become one of those little quiet superpowers in my kit. 🎥✨ I didn’t realize just how transformative they were until I started trying to film wide open on bright days, watching my shutter skyrocket, and wondering why everything looked choppy or over-sharp. The moment I snapped on the K&F Concept filters for the first time, everything finally felt cinematic — smooth, natural, and intentional.

What I love about this specific 6-pack is how it gives you everything: the CPL, ND8, ND16, ND32, ND64, and even that wild ND1000. It’s like having a full lighting team in your pocket. I remember filming on a sunny day at The Forks with the Action 5 Pro, the water sparkling so bright it almost felt like a mirror. The moment I clicked on the CPL, the whole scene deepened — reflections softened, color richness came alive, and the sky turned into that deep cinematic blue you normally only see in travel films. 🌊🌤️ It reminded me that sometimes tiny pieces of glass can completely change how a moment feels.

And then there are the NDs. Each one changes the mood in its own way. ND8 is that gentle touch I reach for during sunrise rides when the air is still cold and the light is soft. ND16 is my everyday workhorse — the one I use for neighborhood shots or slow handheld b-roll when I want the footage to feel natural, not jittery. ND32 feels like the real summer filter, the one that makes harsh daylight behave and lets the motion blur breathe. And ND64 — that one’s the hero when winter hits, when snow reflects so much light it can blind a sensor. I used ND64 on a freezing afternoon once, and the way it handled glare across the river felt like the Osmo Action suddenly understood winter instead of fighting it. ❄️🌞

Then there’s the ND1000 — the storyteller. It’s not for every moment; it’s for mood. It’s for slowing time until everything feels quiet. I used it once at a waterfall outside the city, tripod legs sinking into soft ground, letting the world blur into streaks of motion. One ten-second shot transformed rushing water into this silky ribbon of white, and I remember thinking: this is what it feels like to step into a dream. 🌙💧 Long exposure on an action cam always sounds impossible until you see it — then it feels like magic.

What makes this kit genuinely creator-friendly is how quickly everything snaps on and off. There’s something satisfying about physically clicking a filter onto the camera — it’s tactile, intentional, like you're stepping into filmmaking mode instead of casual shooting. And because everything fits perfectly into one small carry case, I don’t ever feel weighed down. I just grab it and go, knowing I’m ready for whatever the light does.

The more I’ve used these filters, the more I’ve realized how much creative freedom they unlock. With the right ND, I can shoot pets in motion without that harsh, overly digital look. I can film bike rides with buttery motion instead of jitter. I can take a simple scene on a cloudy afternoon and give it this soft cinematic roll-off that makes the footage feel like a story instead of just a clip. 🎬🌄 And that’s the thing — ND filters don’t just fix footage; they give it soul.

Every filter in the pack has a purpose, a mood, a moment where it shines. And together, they turn a tiny action camera into a more expressive, more cinematic, more intentional tool. When I look at my raw footage on the timeline, I can always tell which shots were filmed with the right ND — they’re the ones that feel alive.

Ultimate ND Filter Guide for Action Cameras (DJI Osmo Action Series)


📦 Buy on Amazon USA


FINAL THOUGHTS

I’ve always believed that light is half the story in any shot, and using ND filters reminds me of that every single time. 🌞💭 When I’m out filming and I see the shutter climbing too high or the highlights blowing out, I feel that little shift — that sense that the camera isn’t quite seeing the world the way I’m experiencing it. And then the moment I snap on the right ND, everything falls into place. The footage suddenly feels like how the moment actually felt. The motion, the color, the mood — it all lines up. It’s a reminder that filmmaking is often about small corrections that make huge differences.

What I love most about this K&F Concept set is how it’s not just functional, but inspirational. Each filter pushes me toward a different creative direction. The CPL encourages me to play with reflections and skies. The mid-range NDs make everyday moments feel cinematic and controlled. And the ND1000 pushes me into long-exposure territory where time moves differently and storytelling becomes slower and more emotional. It’s almost symbolic — like having different emotional layers you can place over a scene to reveal what it really feels like inside. ✨

There’s a confidence that builds when you shoot with tools that let you shape the world instead of wrestling with it. With these filters, I feel like I can walk into any environment — bright sun, snow glare, reflective water, cloudy skies — and know I can still capture something beautiful. That reassurance lets me film more freely, more instinctively. It removes those moments of frustration where the footage isn’t matching the mood of the moment. Instead, everything becomes smoother, more deliberate, more cinematic.

In the end, what sticks with me is how these filters help me slow down and appreciate the craft. They remind me to think about the shot, the light, the feeling. They make the process of filming feel more intentional — like I’m not just pressing record, but actually shaping the moment as it unfolds. And honestly, that’s one of the reasons I keep coming back to them. They help me capture not just what I see, but what I feel.


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